Prepare to be both disgusted and delighted as Netflix takes a wild swing with The Twits, a bold adaptation of Roald Dahl’s beloved novel that blends razor-sharp political satire with gut-busting gross-out humor—all wrapped in a surprisingly heartfelt package. But here’s where it gets controversial: Is this twisted tale too much for its target audience, or does it strike the perfect balance between chaos and charm? Let’s dive in.
Plot Unveiled: After the notorious Mr. and Mrs. Twit’s theme park, Twitlandia, is shut down due to its jaw-droppingly unsanitary attractions (think Port-O-Potty Ferris Wheel and a soiled mattress trampoline), the vengeful duo concocts a plan to flood the city streets with hot dog meat. Their scheme backfires spectacularly when a group of orphans, whose adoption chances are ruined by the resulting chaos, decide to turn the tables on the Twits. And this is the part most people miss: It’s not just about revenge—it’s a story of resilience, found family, and the absurdity of human (and monkey-like creature) nature.
Director Phil Johnston doesn’t hold back, delivering a film that’s as visually stunning as it is thematically rich. Drawing inspiration from Dahl’s 1980 classic, The Twits tackles themes of acceptance, mob mentality, and the power of unity, all while serving up a heaping dose of cringe-worthy humor. The animation style is a feast for the eyes, reminiscent of LAIKA Studios’ craftsmanship with a quirky twist that feels straight out of a Double Fine Productions game. Think Psychonauts meets Coraline, but with a side of slime.
Johnny Vegas and Margo Martindale bring the Twits to life with a chemistry that’s equal parts toxic and endearing. Their relationship is a bizarre love story, where insults and pranks—like serving live worms for dinner—are their twisted way of saying, “I care.” Meanwhile, the orphans, led by the sassy Beesha (voiced by Maitreyi Ramakrishnan) and the innocent Bubsy (Ryan Lopez), steal the show with their determination to expose the Twits’ antics. Their discovery of the Muggle-Wumps—magical monkey-like creatures whose tears power Twitlandia—adds a layer of fantasy that elevates the story from mere mischief to full-blown rebellion.
But here’s the kicker: Amidst the chaos, The Twits delivers a timely political commentary that’s impossible to ignore. The Twits’ campaign to reopen Twitlandia by running for co-mayors is a scathing critique of populist politics, complete with empty promises and worthless merchandise. It’s a mirror held up to society’s willingness to follow charismatic leaders, no matter how absurd their claims. Is this too heavy for a kids’ movie? Or is it exactly the kind of bold storytelling we need?
Yet, for all its biting satire, the film never loses its heart. Beneath the grime and gross-out gags is a sweet message about the importance of found family and recognizing the value of selfless acts. It’s a reminder that even in the messiest of situations, love and connection can flourish. The supporting cast, including Alan Tudyk’s backward-talking Sweet Toed Toad, Natalie Portman and Timothy Simons as the Muggle-Wumps, and Emilia Clarke’s insect narrator, adds layers of charm and humor that keep the story engaging.
While the original songs by David Byrne and Haley Williams don’t leave a lasting impression, the film’s visual and narrative creativity more than make up for it. The Twits is a rollercoaster of emotions, blending Dahl’s signature wit with modern sensibilities. It’s not for everyone—some might find its humor too bizarre or its themes too sharp—but for those willing to embrace its oddball charm, it’s a refreshingly unconventional gem.
Final Thought: The Twits is more than just a Dahl adaptation; it’s a daring exploration of humanity’s flaws and triumphs. But what do you think? Is it a masterpiece of modern storytelling, or does it try too hard to be both clever and chaotic? Let’s debate in the comments!
